I love this movie, from Matt Dillon’s blank, yet compelling, performance to all the Portland sights, (many of which have changed dramatically, or disappeared.) I love the bleakness of the story and how it still manages to be a lighthearted sad movie. It is not a glamorized portrayal of drug addition, and that is another thing I love about it.
Where watched: Laurelhurst Theater with S. North.
Watching this, I realized I knew nothing about Matt Dillon, the person. It seems odd, no? He’s been around for a while, yet I couldn’t tell you anything other than what he’s been in. Old school!
poster from: http://www.impawards.com/1989/drugstore_cowboy_ver2.html (fold marks!)
It’s a post-college transition movie with a female lead!* She’s insufferable, which made this movie not much fun to watch.** It was also odd, with many things that didn’t quite work,*** but I found Evan Peters’**** performance enjoyable, and again: post-college transition with a female lead.
Cost: Free from library
Where watched: at home.
*Win and win! Post-college transitions are the mostly-unexplored time period in our landscape.
**Although I do feel for a character who, when frustrated, yells, “I got straight A’s!” Yep. Learning that good grades don’t necessarily get you anything is tough.
***Armando Riesco’s Rubia character, I either needed more of her story, or less. What was there was frustrating. Rat Billing’s ultimately mean move of publishing Amy’s poetry kind of came from left field. Undeveloped female friendship between Amy and college friend.
****”…And I was wondering who he was, and he was in Kick-Ass and then played Quicksilver in X-Men” I told Matt as I was summing up the movie.
“Um, I don’t think that’s his name.”
“He’s the guy in Kick-Ass and he played Quicksilver in the Avengers”
IMDB was consulted. It turns out Aaron Taylor-Johnson and Evan Peters were both in Kick-Ass and both played Quicksilver, one in X-Men, one in the Avengers. Amazing! (More amazing than this movie.)
poster from: http://www.impawards.com/2014/adult_world.html
There were things I really liked about this movie: the style of the Kingsmen,* many of the action scenes were thrilling, the characters were compelling, and the villain’s evil plot sounded like a feasible evil villain’s plot. There could have been a little more action for the women in the film.** Unfortunately, the violence in this film–both stylish and humorously rendered–left a bad taste in my mouth.
Cost: free from library
Where watched: at home with Matt
*Those training suits the potential Kingsmen wore were awesome! (picture clipped from here )
**Gazelle does a lot, it’s true, but Sophie Cookson’s character was wasted
(I watched this twice in one day. I watched it on my own and then re-watched it with Matt. I had a bad cold, and didn’t feel like moving from the couch.)
(This was also a pre-watch because Channing Tatum is in the sequel, and I felt I needed to catch up.)
poster from: http://www.impawards.com/2015/kingsman_the_secret_service.html
(I did not choose the other versions of the posters which feature a back view of Gazelle, legs spread wide framing Colin Firth/Samuel L. Jackson/Eggsy/the pug. I get that they are an homage to the famous James Bond poster, but if that was the ass of Sofia Boutella then it had been digitally shrunk so small as to render it unrecognizable. Homage to misogyny is still misogyny)
I enjoy movies about women, and thus I enjoyed this movie about Adaline, a woman who hasn’t aged since the 1930s, something that complicates her life. How would it be to move through this world and not be able to establish any lasting relationships owing to the fact you must assume a new identity every decade, so as to avoid detection. It’s a clever story, and one with a few good twists.
Cost: free from library
Where watched: at home while painting toes green.
poster from: http://www.impawards.com/2015/age_of_adaline.html
I love this poster, as did the peanut gallery on impawards.com
This was fun. And when a movie can make systematic discrimination (both race AND gender) fun, it’s a winner. I could have done with less cut-away “funny” comments by Glen Powell as John Glenn.
Cost: $1.50 via Redbox
Where watched: at home with Matt.
poster from: http://www.impawards.com/2016/hidden_figures.html
What the first film nailed, and what made it enjoyable, was the personalities and the relationships. The second film also continues this tradition, making for a very fun and funny sequal. Baby Groot was used to maximum advantage.
Where watched: Regal cinemas in Bend, with Matt
I like version one, but version two is awesome in the rad premise.
The jokes come fast and furious in this follow up to the Lego Movie. I enjoyed Batman’s journey as well as the many cameos in the film. Overall, a winner.
Where watched: McMenamins Old St. Francis Theater
poster from: http://www.impawards.com/2017/lego_batman_movie.html
What is it about these movies that make me incredibly happy? Plot elements, acting ability, general ridiculousness that would sink any other movie are gleefully enjoyed when it comes to the Fast and the Furious franchise. Jason Statham’s final fight scene was my favorite, but there were many other enjoyable moments in these 136 minutes.
Where watched: St. Johns Twin Cinema (move #3 on Movie Day)
poster from: http://www.impawards.com/2017/fate_of_the_furious.html
I loved the concept of a grieving widow finding a double of her husband. Both Annette Bening and Ed Harris did their usual steller work. I also appreciates Jess Weixler’s brief, but memorable scene.*
Cost: free from library
Where watched: at home (movie #2 on Movie Day)
*Probably the best freak-out I’ve seen in the past few years.
poster from: http://www.impawards.com/2013/face_of_love_ver2.html
This was brilliantly acted with a lot of nuance and great performances. It’s also a movie that trails off with no ending, which can be interesting and also as if the writer didn’t know how to end their story. Overall, one of those films I don’t mind that I watched, but am not chomping to return to it.
Cost: $1.50 from Redbox
Where watched: at home (movie #1 on Movie Day)
poster from: http://www.impawards.com/intl/uk/2015/fourfive_years.html