Poem for September: Permanently

Permanently
Kenneth Koch

One day the Nouns were clustered in the street.
An Adjective walked by, with her dark beauty.
The Nouns were struck, moved, changed.
The next day a Verb drove up, and created the Sentence.

Each Sentence says one thing—for example, “Although it was a dark
rainy day when the Adjective walked by, I shall remember the pure
and sweet _expression on her face until the day I perish from the
green, effective earth.”
Or, “Will you please close the window, Andrew?”
Or, for example, “Thank you, the pink pot of flowers on the window
sill has changed color recently to a light yellow, due to the heat from
the boiler factory which exists nearby.”

In the springtime the Sentences and the Nouns lay silently on the grass.
A lonely Conjunction here and there would call, “And! But!”
But the Adjective did not emerge.

As the adjective is lost in the sentence,
So I am lost in your eyes, ears, nose, and throat–
You have enchanted me with a single kiss
Which can never be undone
Until the destruction of language.

You might say that I am a fan of declarations of love which meander through the mundane before confessing their fondest feelings. “Thunder Road” by Bruce Springsteen is perhaps my favorite song mostly because of the line “You ain’t a beauty, but yeah, you’re all right.” It may be the type of people I’m attracted to, or it may just be the unrealistic expectations scripted drama creates, but I find most declarations of love in my past to be something along the lines of the following: “Did you get the peanut butter at the store? Shall we go to see that play? When was the last time we cleaned the house? Have I mentioned that I find you quite attractive and I love you? When do I get to have a new job?”

I also love the idea of the parts of speech having a whole lives we don’t know about. Can’t you picture the nouns, pimply and with poor posture, standing together near a streetlight? And the poor conjunctions, what of their fate?

Poem for August: Stop all the clocks.

Stop All the Clocks
WH Auden

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He is Dead.
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now; put out every one,
Pack up the moon and dismantle the sun,
Pour away the ocean and sweep up the woods;
For nothing now can ever come to any good.

All these weddings I’ve been to this year had me thinking about the movie Four Weddings and a Funeral. Which got me to thinking about this poem.

You can see that scene (http://www.youtube.com/watch?v=b_a-eXIoyYA) if you want to hear a good Irish Accented version. John Hannah blows my version away.

This was simple to memorize, which was partially why I chose it for August, a month where I spent the majority not going to work and thus missing my prime memorizing time of the walk to the train and back.

Poem for July: Love Song, I and Thou

Love Song: I and Thou
Alan Dugan

Nothing is plumb, level or square:
the studs are bowed, the joists
are shaky by nature, no piece fits
any other piece without a gap
or pinch, and bent nails
dance all over the surfacing
like maggots. By Christ
I am no carpenter. I built
the roof for myself, the walls
for myself, the floors
for myself, and got
hung up in it myself. I
danced with a purple thumb
at this house-warming, drunk
with my prime whiskey: rage.
Oh, I spat rage’s nails
into the frame-up of my work:
it held. It settled plumb,
level, solid, square and true
for that great moment. Then
it screamed and went on through,
skewing as wrong the other way.
God damned it. This is hell,
but I planned it, I sawed it,
I nailed it, and I
will live in it until it kills me.
I can nail my left palm
to the left-hand crosspiece but
I can’t do everything myself.
I need a hand to nail the right,
a help, a love, a you, a wife.

I’m right now listening to Peter Sagel (12/26/2003) talk about this poem and his story of meeting this poem is great. Plus you get to hear Alan Dugan reciting it.

And now that I’ve heard him read his poem, I have to say that I prefer the way I recite it.

I think I squealed with glee when I first read this poem. For a literal standpoint, I am often mid-project, working a bit beyond my abilities, and somewhat frustrated. I’ve got three unfinished projects going–or rather stopped–right now. I’ve often found myself “drunk on my prime whisky: rage” and feeling rather martyrish. It’s at this point that Matt usually talks me down, or peps me up, if that’s what the situation calls for. I think every Amish-type, project person needs a counterpart to keep them going, or resting, if need be.

I’ve never been a fan of the big, extravagant wedding, because I think the vows that really matter are the ones that are said repeatedly in small ways over a long period of time. I believe that helping with projects, whether physically or emotionally is one way that makes a couple solid and actually married.

Poem for June: The Lake Isle of Innisfree

The Lake Isle of Innisfree
W.B. Yeates

I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made:
Nine bean-rows will I have there, a hive for the honey-bee;
And live alone in the bee-loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.

I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.

I chose this poem because one of my visualizations for mediation is at a small cabin on a lake. I would like to eventually find a tiny cabin on a lake to visit each summer, but for now, my visualization and this poem will do.

Poem for May: Corinna’s going a-maying

CORINNA’S GOING A-MAYING.
by Robert Herrick

GET up, get up for shame, the blooming morn
Upon her wings presents the god unshorn.
See how Aurora throws her fair
Fresh-quilted colours through the air :
Get up, sweet slug-a-bed, and see
The dew bespangling herb and tree.
Each flower has wept and bow’d toward the east
Above an hour since : yet you not dress’d ;
Nay ! not so much as out of bed?
When all the birds have matins said
And sung their thankful hymns, ‘tis sin,
Nay, profanation to keep in,
Whereas a thousand virgins on this day
Spring, sooner than the lark, to fetch in May.

Rise and put on your foliage, and be seen
To come forth, like the spring-time, fresh and green,
And sweet as Flora. Take no care
For jewels for your gown or hair :
Fear not ; the leaves will strew
Gems in abundance upon you :
Besides, the childhood of the day has kept,
Against you come, some orient pearls unwept ;
Come and receive them while the light
Hangs on the dew-locks of the night :
And Titan on the eastern hill
Retires himself, or else stands still
Till you come forth. Wash, dress, be brief in praying :
Few beads are best when once we go a-Maying.

Come, my Corinna, come ; and, coming, mark
How each field turns a street, each street a park
Made green and trimm’d with trees : see how
Devotion gives each house a bough
Or branch : each porch, each door ere this
An ark, a tabernacle is,
Made up of white-thorn neatly interwove ;
As if here were those cooler shades of love.
Can such delights be in the street
And open fields and we not see’t ?
Come, we’ll abroad ; and let’s obey
The proclamation made for May :
And sin no more, as we have done, by staying ;
But, my Corinna, come, let’s go a-Maying.

There’s not a budding boy or girl this day
But is got up, and gone to bring in May.
A deal of youth, ere this, is come
Back, and with white-thorn laden home.
Some have despatch’d their cakes and cream
Before that we have left to dream :
And some have wept, and woo’d, and plighted troth,
And chose their priest, ere we can cast off sloth :
Many a green-gown has been given ;
Many a kiss, both odd and even :
Many a glance too has been sent
From out the eye, love’s firmament ;
Many a jest told of the keys betraying
This night, and locks pick’d, yet we’re not a-Maying.

Come, let us go while we are in our prime ;
And take the harmless folly of the time.
We shall grow old apace, and die
Before we know our liberty.
Our life is short, and our days run
As fast away as does the sun ;
And, as a vapour or a drop of rain
Once lost, can ne’er be found again,
So when or you or I are made
A fable, song, or fleeting shade,
All love, all liking, all delight
Lies drowned with us in endless night.
Then while time serves, and we are but decaying,
Come, my Corinna, come, let’s go a-Maying.

I picked this poem for two reasons. First off, I am the early riser in the relationship and I knew I would enjoy reciting the first stanza to the other household resident early in the morning. And I do. Matt also enjoys being called a slug-a-bed, though he pretends not to. Secondly, this is a poem that manages to capture late adolescence quite nicely and at the same time keeps an eye on death. My favorite lines are: Come, let us go while we are in our prime/And take the harmless folly of the time. I’m also a fan of: So when you and I are made/A fable, song, or fleeting shade.

When I memorized the Walrus and the Carpenter I used my usual technique of start at the top, memorize two lines, keep going until you get to the bottom. The result was that I was thoroughly sick of the first half of the poem by the time I got to the end. To this day, I groan when it is time to review that poem. For this poem, I decided to set up a schedule. Week 1, stanzas one and two. Week 2, stanzas three and four. Week 3, stanza five and integrating. Week 4, joining them together and fully memorizing.

However, I was a bit optimistic in my scheduling. The archaic language slowed me down, as usual. It took more than the first week to get the first stanza. I kept to the plan, though. I would get a stanza into my head and then drop it. By the last days of May I was cramming in the last stanza into my head. Amazingly, I remembered the first ones and the whole thing came together nicely. I will use this approach again when I attempt a longer poem.

I did go a-maying once, when I was of the age to go a-maying. May in Boise, Idaho is particularly seductive. The winds have blown away all the winter and the heat of summer is promised, but mostly not yet realized. In short, the weather is perfect for everything outdoors which makes school slightly less interesting, to say the least. When a certain boy proposed skipping the last two classes to go for a drive, I jumped at the chance. German or springtime spent with a boy I might like? The choice was obvious, sorry Frau Needham.

I recall a sort of daring quality in the invitation, and the implication that I had never skipped a class, which was not true, and I told him that as I was accepting. We piled into his car and drove off toward the foothills. The excitement of doing something a little bit bad and being incredibly happy about it probably needs a German word to fit the moment. Perhaps if I had stayed in class that day I would have one ready.

The foothills were gorgeous, covered with spring wildflowers. It being a weekday afternoon, there was also no one about. We drove and chatted and enjoyed the sun and then he drove me home. Nothing happened, which is what I would have told my parents, had they found out. We really did just drive and chat and enjoy the day. It was a perfect day. There was a promise of something more to come, but neither one of us moved toward it. We simply enjoyed each other’s company. We went a-maying.

Edwin Markham

There was a feature in the Oregonian today about Oregon’s Poet Laureates. Edwin Markham was one from 1923-1940. He was born in Oregon, but lived in California after age five. I was delighted to reacquaint myself with his poem “Outwitted” which I’m sure was in some textbook I read in junior high or high school.

Outwitted
He drew a circle that shut me out–
Heretic, rebel, a thing to flout.
But Love and I had the wit to win:
We drew a circle that took him in!

You can read a bit more about him in the Oregonian’s article “Oregon’s Poet Laureates: A sample of their work, a bit about their lives.” published May 10, 2010 and (for right now) available here.

Poem for April: Chicago

CHICAGO

Carl Sandburg

HOG Butcher for the World,

Tool Maker, Stacker of Wheat,

Player with Railroads and the Nation’s Freight Handler;

Stormy, husky, brawling,

City of the Big Shoulders:

They tell me you are wicked and I believe them, for I

have seen your painted women under the gas lamps

luring the farm boys.

And they tell me you are crooked and I answer: Yes, it

is true I have seen the gunman kill and go free to

kill again.

And they tell me you are brutal and my reply is: On the

faces of women and children I have seen the marks

of wanton hunger.

And having answered so I turn once more to those who

sneer at this my city, and I give them back the sneer

and say to them:

Come and show me another city with lifted head singing

so proud to be alive and coarse and strong and cunning.

Flinging magnetic curses amid the toil of piling job on

job, here is a tall bold slugger set vivid against the

little soft cities;

Fierce as a dog with tongue lapping for action, cunning

as a savage pitted against the wilderness,

Bareheaded,

Shoveling,

Wrecking,

Planning,

Building, breaking, rebuilding,

Under the smoke, dust all over his mouth, laughing with

white teeth,

Under the terrible burden of destiny laughing as a young

man laughs,

Laughing even as an ignorant fighter laughs who has

never lost a battle,

Bragging and laughing that under his wrist is the pulse.

and under his ribs the heart of the people,

Laughing!

Laughing the stormy, husky, brawling laughter of

Youth, half-naked, sweating, proud to be Hog

Butcher, Tool Maker, Stacker of Wheat, Player with

Railroads and Freight Handler to the Nation.

Having lived on the East Coast, where they think they are the be-all end-all of the country, I love the adolescent spit-in-your-face nature of this poem. There is a lot of swagger in this, which makes it fun to recite.



Poem for February: February

February
Margaret Atwood

Go here* to read it. Then come back.

From the first line I loved this poem. As stated repeatedly, I’m not the biggest fan of winter and February happens to be my most hated month of the year. It is the shortest month in days, but in actual “time served” time it is seemingly 6-8 weeks worth of freezing cold weather, dark and drear, all packed into 28 “short” days. When I lived in Massachusetts it was even worse because the very long month of February was followed by March which was another seemingly 8-12 weeks of snow, ice, cold winds and no sign of spring all packed into 31 very long days. My mother used to call from relatively balmy Idaho and talk about the crocuses popping up and I would shrivel.

So comparably, February in Portland is lovely, but of course I have acclimated, so it seems still miserable. Will it ever stop raining? Can the sun come out maybe for more than 4 hours? For me, February is a very dark time, both in terms of daylight hours and internally. This poem captures my mental state perfectly, from the need to stay in bed longer to the incredible amount of fortitude it takes to get me through the day with any measure of cheer. And I know I’m not the only one. One of my workmates was having a miserable time at the same time I happened to be committing these lines to memory:

February, month of despair,
with a skewered heart in the centre.
I think dire thoughts, and lust for French fries
with a splash of vinegar.

I recited them to her dramatically one day before school started and we both laughed.

I also love how this poem mirrors the journey through February. In the beginning, the days are short and dark, the rains come heavily and we are all still paying off our Christmas bills. By the end, the days are longer, the spring flowers have popped up and there is hope that perhaps the easy living of the summer months is something that isn’t terribly far away. The poem moves through a black period that ends on a note of hope for spring. The month of February ends the same way. Unless, of course, you live in Massachusetts.

*http://www.poetryfoundation.org/archive/poem.html?id=177285

Poem for January: Invictus (plus bonus poem)

Invictus

William Ernest Henley

Out of the night that covers me,

Black as the Pit from pole to pole,

I thank whatever gods may be

For my unconquerable soul.

In the fell clutch of circumstance

I have not winced nor cried aloud.

Under the bludgeonings of chance

My head is bloody, but unbowed.

Beyond this place of wrath and tears

Looms but the Horror of the shade,

And yet the menace of the years

Finds, and shall find, me unafraid.

It matters not how strait the gate,

How charged with punishments the scroll.

I am the master of my fate:

I am the captain of my soul.

Yes, yes, I did memorize this because of the recently released Eastwood/Freeman/Damon movie. And yes, I memorized it so that I could quote from a poem that appeared in Dead Poets Society.

Initially, I dismissed this poem as being incredibly over-the-top, white-man’s-burden, straight from the Age of Empire. I mean really, where is the village? But then, I had a couple of annoying and rough days at work and the thing that was so off putting about the poem initially became my favorite thing. When I’m having a bad day, it is great fun to recite this poem dramatically, ideally at top volume. Although in the fell clutch of that circumstance, I actually did do a lot of complaining, which was not really wincing or crying aloud, but still probably not true to the stoic nature of the poem.

Invictus went quickly into my brain which gave me time to put to memory another poem that comes in handy:

How Not to Have to Dry the Dishes

Shel Silverstein

If you have to dry the dishes

(Such an awful boring chore)

If you have to dry the dishes

(‘Stead of going to the store)

If you have to dry the dishes

And you drop one on the floor

Maybe they won’t let you

Dry the dishes anymore

Let me just say that in my position as Administrative Coordinator (which really just means school secretary) I find reason to recite this poem on a fairly regular basis.

Poem for December: Now Winter Nights Enlarge.

Now Winter Nights Enlarge
Thomas Campion

Now winter nights enlarge
The number of their hours;
And clouds their storms discharge
Upon the airy towers.
Let now the chimneys blaze
And cups o’erflow with wine,
Let well-turned words amaze
With harmony divine.
Now yellow waxen lights
Shall wait on honey love
While youthful revels, masques, and courtly sights
Sleep’s leaden spells remove.

This time doth well dispense
With lovers’ long discourse;
Much speech hath some defense,
Though beauty no remorse.
All do not all things well;
Some measures comely tread,
Some knotted riddles tell,
Some poems smoothly read.
The summer hath his joys,
And winter his delights;
Though love and all his pleasures are but toys,
They shorten tedious nights.

After the glum “I hate winter” poem of November, I chose this poem because it captures what I like about winter. The lines “Let now, the chimney’s blaze/and cups o’erflow with wine” is delightful.

Like November’s poem, the old-fashioned language made this a bit tricky to memorize, but it wasn’t very difficult.