I wrote this for Facebook. But I figured why not also post it here. And here it is.
I watch a lot of memorable movies but the movies I find most memorable (and thus one can say marked me) are often linked to an event or place or time period. So here’s my top 10. I’m putting them in the order I watched them chronologically (from little girl to this summer)
Tied for first in my “favorite movie” list. I saw it as a girl with my mother and loved the music and the dancing and Lena Lamont’s voice. I’ve watched it again and again because there’s always something to hook into: the story, the performances, the costumes, the songs. I’ve seen a theatrical production and even watched it on the big screen (thanks Cinema 21!) and I never get tired of this film. Though I confess I tend to fast forward through the endless Cyd Charisse dance scene. It’s just as enjoyable at double speed and done that much sooner.
Angie Fuller asked me to accompany her to the theater. Footloose was playing. We were in fourth grade (and thus a tiny bit young for this film). It had been raining at recess that day and my shoes were still sopping wet hours later. This was the first film I saw without my parents. When my mother asked me how I liked it, I said, “There was a lot of swearing.” The dawn of VHS meant I watched this movie over and over and over again. Long before I was a teenager, this movie taught me that trying to keep teenagers from doing what they wanted to do was pretty much a lost cause. And that there is a time to dance.
Number of times I’ve seen this film? Twice. Once when I was about 12 and once when I was in my 30s. Amount I remembered of this film upon re-watching? Nearly 100%. The first time I watched it was the perfect age to see this, just a year or two younger than the protagonists. I was also an 80s girl completely in love with the 50s, so the setting worked for me. This movie marks the beginning of the end of the era of watching movies with my parents. During most of my early teenage years it was too uncomfortable to try and process my own reactions and theirs while taking in a movie. I also remember this movie fondly because of my mother’s aghast reaction to the mailbox baseball scene. “That is a federal offence!” This movie also got me interested in Stephen King, who was (along with V.C. Andrews and the authors of bodice rippers) among the first grown-up authors I read. The story of friendship and change is what ultimately sticks with me. It’s a heartbreaking film and not just because River Phoenix would be dead seven years later.
My favorite girl movie of my teenage years and one I think many people overlook. Four friends graduate from high school and plan one final weekend together before going off on their different paths. The early 60s beach setting was awesome and the high-jinks that ensue are memorable. It’s highly quotable. Pudge (yes there is a character named Pudge and yes, she’s of normal weight) says at one point “It isn’t a bone at all, it’s a muscle. This cousin of hers dated a Clemson Tiger who sprained his in a game, and she had to massage it every night when it got hard because he was in so much pain.” It also has a really fabulous soundtrack and a big dance number. I’m just now realizing this movie may be the reason my friends and I went on a road trip after graduating from high school. We met neither a “Chip” nor a “Buzz,” but we still had a good time.
I must have seen this before I graduated high school in 1993, but it didn’t really hit home for me until I watched it again in 1994 or 1995. By that time I’d gone off to a women’s college with hazing rituals that were eerily similar to the ones depicted in this film. I love the high school bacchanalia aspect of this film. The soundtrack has been played to death, but I loved it for a long time.
“We should go see Fargo,” said the guy who would become my college boyfriend.
“You’ll like it,” he assured me.
We hadn’t spent much time together, but he was right. We went to the Academy of Music Theater in Northampton, Mass. and I laughed throughout this film. It’s too violent and incredibly tragic, but I fell in love with Frances McDormand and her angel of a pregnant Marge Gunderson, unflappable in the face of so much senseless mayhem.
I’m guessing the films of Kevin Smith will most likely only last as period-specific examples of this and that. I’m also guessing this film hasn’t aged well. But there was a time when I loved it for exploring the idea (however awkwardly) that sexuality can morph and change. It also explores male friendship in a way that I hadn’t seen much on film at that point. Holden and Banky’s breakup comes years before the bromance comedies of the last decade. I watched this at the Academy of Music in Northampton too. And let me tell you, watching Chasing Amy with a bunch of smart women from Smith College is a different experience than watching it in your standard multiplex. There was hissing. More than once. From all areas of the theater.
Also tied for first in my “favorite movie” list. In September of 2000 I was poor. After a few months of unemployment, I had finally found a job, but I was still catching up financially with the things I let slide. So it was a few weeks before I could scrape together the cash to see this movie which I watched at the Lowes Harvard Square Cinema. I remember being surprised at how funny it was—the previews had played up the drama—and I remember being so happy to be watching. For me it’s a perfect film. I love this movie because it’s about the end of things and the beginning of things and every single performance is spot-on. Philip Seymour Hoffman’s speech about being uncool remains a top 10 movie moment for me.
A recent find (thanks Heather) and one I loved so much I watched it twice in one day. What seems to be a silly rom-com plot (woman feels she’s slept with too many men and decides to look up all her past conquests to see if any are husband material) delves much deeper into the subject of how females are supposed to be in society. There’s also great sister stuff and a slow-rolling romance with the hunky Chris Evans. And Anna Faris’s comic timing is impeccable.
Too soon to deserve to be on the list? I can’t tell. But as I said in my original review, there was a time before someone made a movie over 12 years with the same actors, and there is a time where that concept now exists, and I’m happy to have experienced the changeover. I’ve been thinking about this movie since I saw it in August so that’s a good sign for longevity. Cinema 21 was the perfect place to watch it, old theater, red seats, packed house. Great movie.
What movies have marked you?