Oh my goodness, do I love this song. It was one of those where I heard it in the car and did my best to remember enough of the lines to google it. It helped that “blood red coupe deville” happened to be the title.
This song hits all those blues/soul/rock notes that were imprinted on me from an early age. And it’s got some great lyrics to sing along to:
And I wonder what they’ll say about me after my final drive Rollin’ in my Blood Red Coupe Deville They say that I lived too fast, that I died too free That I got lost in alcohol but found in the reverie
Apparently Hadden Sayers is a native Texan and is “as comfortable on a massive festival stage with a Stratocaster in his hands as he is strumming an acoustic guitar in your living room.”
He’s touring this summer and you can find the dates and locations on his website.
Thanks to whatever the blues show is called on KINK on Sunday night. I would have missed this song, otherwise.
I no longer remember where I heard this song, but it’s great! And the video has families making up a dance routine in 30 minutes and then performing it.
It’s a classic rock song setup (verse/chorus/verse/chorus/bridge/chorus) and that bluprint imprinted on me early.
Also, if I hadn’t watched this video I would have had no idea that the lyric was: Hey now kid, you’re my salvation.
“Now That You’re Gone” The Raconteurs
Speaking of things that imprinted early, everything about this song is something that imprinted on me. The steady drip of the bass, the guitar lick responding to the lyrics, the angry/sad/triumphant lyrics. These are all things I love.
Never known such unhappiness/Never thought it would end like this/What will I do now that you’re gone?
As for the video? Eh. The mirror thing is cool. There’s also classic boobage. Not my thing.
This is one of those songs that I like even though everything is so muted I can’t really tell what’s going on.
Reading the lyrics I see an illustrative use of words, and a life that I haven’t lived but hear about a lot in popular culture.
It seems to combine being ultra cool and laid back, with a more-or-less depressing message that kind of comes off as positive if you aren’t listening too closely.
Lotta stuff going on here.
“Hearts Beat Loud” from the movie Hearts Beat Loud
I watched this movie in the waning hours of 2018 and it was a great way to end the year. I’m a sucker for “making the music”-type movies, and so that scratched that itch. Plus, the winning charismatic combo of Kiersey Clemons and Nick Offerman doesn’t hurt either.
The song itself is a good and happy one. Even though it’s kind of sad, lyrically.
Buildings. Going up everywhere in Portland. This song was written about Seattle’s Capitol Hill neighborhood, but it could have been written about Portland (except for the fact that two of the lines are “and they keep digging it down and down / so that their cars can live underground” and in Portland most building don’t build so the cars can live underground, but park on the street in a haphazard and unzoned way that is eventually going to have to be fixed.)
I’m trying not to be a fuddy-duddy about the building. A ton of people are moving here and will keep moving here, just as I did. And we all have to live somewhere. But it’s hard to see all the old buildings go and makes these lyrics that much more poignant.
I remember a winter’s night we kissed beneath the street lamplight outside our bar near the record store that have been condos for a year and more now that our haunts have taken flight and been replaced with construction sites oh, how I feel like a stranger here searching for something that’s disappeared digging for gold in my neighborhood for what they say is the greater good but all I see is a long goodbye a requiem for a skyline it seems I never stopped losing you as every dive becomes something new and all our ghosts get swept away it didn’t used to be this way
On-point lyrics aside, I was first drawn first to this song because of the musical arrangement, which is more prominent than the lyrics. It’s gauzy and the repetitive “Gold Rush” nicely drives the song.
This is another from KINK Sunday Brunch. Which, now that we’ve started working in the yard on the backyard project, I don’t get to listen to.
This is the kind of song I really love. Weird theme, the kind that makes me look up from my cooking and wonder what in the hell I’m listening to. I think I made Google tell me. There’s a Portland reference. The video is also wacky.
The chorus is a good one: I won’t only love you when you’re winning/Other fools pretend to understand/Come on take my hand, we’ll go down swinging/Let me be your man, let me be your man.
YouTube and Wikipedia also inform me that this artist also covered James’s “Laid” for the American Pie movies. He’s aged a little since that song was recorded. And haven’t we all?
My second song was the song from the end of Outside In. I liked it. The Internet is not telling me who sang it.
I heard this song while watching the McMenamins Theater slide show before A Wrinkle In Time began. The line, “In a future five years from now/I’m one hundred and twenty pounds” caught my ear and I snorted in amusement. I’m often guilty of living a perfect life, but in the future. I didn’t have my phone with me, so when Matt returned from a phone call, I asked him to text me “Amanda Palmer 120 pounds” so I would remember to look her up. He wanted to know why I was having him text Neil Gaiman’s wife’s name. And that’s how I learned that Amanda Palmer and Neil Gaiman are married and have a child.
“The Way It Seems To Go”
Continuing on the theme of finding songs through movies, this was the end credits song in the film Lucky Them. A film which I am realizing I did not review on this blog. Now I must go back and do that.
Anyway, I like Rachael Yamagata’s stuff and this was a nice addition.
The other thing both songs have in common is that I wrote this post at work and didn’t actually re-listen to the songs. Time will tell if I like them or not.
Here is a song I will happily listen to when I encounter it. It’s very early-adulthood swirling sadness for me, but I like how plaintive it sounds.
And the song that is not going on the song of the month playlist because it is a super earworm:
If this song didn’t include so many ways to get stuck in my head, I would like it better.
“Because I had a great night ’cause you kept rubbing against my arm”
This song–which Wikipedia tells me is from 2016–is being played with some regularity on one of the local radio stations. The lyric above caught my ear and is the reason the song is featured this month.
I was so obsessed with boys as a teenager (and into my twenties). To this day, I wonder about the causes of that obsession and am thankful I don’t have to worry about raising a daughter to not be obsessed in that way. I was completely the girl who would chalk up a great night to something that might be entirely unintentional. And “adore” is the exact right verb for what I felt for guys I liked.
I’m happy that period of my life is over, though I’m not fully convinced that it wouldn’t return if I found myself single again.
“This is the Day”
This song is featured in the movie Every Day, which was a worthy adaptation of a really great YA novel. I had a passing familiarity with this song, and I love when the music people involved with movies pluck just the right song to pair with the narrative and give a new audience a chance to also enjoy the song.
Also: When I worked for Bread & Circus (Whole Foods’ name in Massachusetts) one of my co-workers had a tangential connection to The The. Her husband had gone on tour with them, playing harmonica.
Also featured in the movie Every Day, I just love everything about this, from the first word, “Candy,” to the last “Baby you’re electric love.”* I like it so much, I’m not 100% certain I have not already included this in the Song of the Month rundown. A quick search tells me I haven’t, so welcome “Electric Love.”
*I did some cross-checking because I would have spelled it “your electric love” but I could see how “you’re” also works. Most lyrics have both ways.