Kanopy. Quality films for free.
Directed by Sergio Leone
Written by Leonardo Benvenuti, Piero De Barnardi, Enrico Medioli, Franco Arcalli, Franco Ferrini, Sergio Leone. (And this, my friends, is where the trouble starts.)
Well, I’m two for two with finding movies beginning with “Once Upon a Time” incredibly boring.* I also loathed this film on so many levels: terrible acting,** its treatment of women,*** the fact that it tips its hand too much early on and solves the mystery.**** This film is all of these synonyms: clumsy, slow, lumbering, cumbersome, graceless, maladroit, ponderous, plus misogynist to boot.*****
Cost: Free from the Multnomah County Library
Where watched: at home
*This one was so much so that I fast forwarded through the last 10 minutes. I’d already invested nearly four hours, so I had given it my due diligence.
**The younger kids were the biggest bunch of terrible actors I’ve seen gathered together in some time.
***Not one, but two rape scenes, the one with Elizabeth McGovern being brutal. Plus some gun-on-nipple action.
****In the restored scene at the cemetery I figured out what had happened. And there was still so much movie.
*****That said, I did think the salt/balloon idea was brilliant. That three minutes of movie was great.
When filming was completed, the footage ran to a total of eight to ten hours. Director Sergio Leone and editor Nino Baragli trimmed the footage to around six hours, with the plan of releasing the film as two three-hour movies. The producers refused this idea, and Leone had to further cut the film down to three hours and forty-nine minutes.
(Yet it seemed more like six hours when watching.)
Directed by Max Barbakow
Written by Andy Siara
While it’s Andy Samberg* who gets this movie started, it’s the delightful performance of Cristin Milioti** that pushes this comedy into a fully rounded film that is something more than a funny romp through a wedding. The relationship between the two leads is the joy of the film, with a little J.K. Simmons as a disgruntled wedding guest sprinkled in for bonus fun. I went in knowing nothing, pulled the boyfriend in to watch it at J.K. Simmons’ first appearance, and greatly enjoyed myself.***
Cost: Hulu subscription (with Disney+ $12.99/month)
Where watched: at home, with Matt who also enjoyed it.
*I am mostly familiar with him through his comedy pieces like Pop Star: Never Stop Never Stopping
**I enjoyed her in It Had to Be You, and am hoping I get to see more than her. So far she seems to have shown up on TV series.
**That said, this isn’t a cinematic masterpiece. It’s a solid film. Don’t go in with your expectations set too high.
Palm Springs broke the record for most-viewed Hulu release in its first weekend on the streaming service.
Directed by Christopher Nolan
Written by Christopher Nolan
Nolan’s love of playing with time adds a ton to this taught, tense* depiction of a memorable event. The cast is well balanced, with mostly unknowns playing the men on the beach** and more well-known actors (and members of his informal company) handling the sea and air roles.*** I love this film for portraying how random war is, for the differing time lines, and for how much feeling wells up when those boats appear.
Nolan’s best film!
Cost: $3.99 via Redbox OnDemand
Where watched: at home
*Unlike Interstellar and Inception, Nolan never lets the narrative get away from him. It’s also a much shorter film. Coincidence?
**It is at this point that someone usually brings up Harry Styles. Yes, he is in this film. Yes, teenage girls also like him. All of those things are okay. Move on.
***“Is Michael Cain in this film?” I asked Boyfriend Matt as it started. We both did the squinting off into the distance thing while we pondered. My question was answered quickly when Cain’s voice came over the radio, talking to Tom Hardy. And the pretty-eyed Cillian Murphy made an appearance too.
In the sequence where the Spitfire ditches into the English Channel, an IMAX camera was strapped into the cockpit to film Collins (Jack Lowden) trying to get out. However, during filming, the plane with the camera still inside sank quicker than predicted. It took so long to retrieve the plane, that the IMAX camera housing filled with water, potentially ruining the expensive camera and the film inside. Christopher Nolan used an old movie technique of keeping the film wet, and shipped it back to Los Angeles, getting it processed before it dried out. The take from that scene is in the movie.
Directed by Thomas Kail
Written by Lin-Manuel Miranda
Recreating live theater experiences on film* is a tricky feat, and I’m pleased that this effort was a successful one.** I’m also thankful I can see a simulation of what everyone was talking about five years ago.*** I found this to be a deeply nerdy musical**** which didn’t take away from how enjoyable it was; my standouts were Renée Elise Goldsberry as Angelica, Jonathan Groff as King George,***** and Daveed Diggs, who was good as Lafayette, and amazing as Thomas Jefferson.
Cost: $13.00? (Matt signed us up for some combo Hulu/Disney+ deal which we will evaluate if we will continue.)
Where watched: at home with Boyfriend Matt
*Or “film” given that digital has taken over.
**Other “live” experiences I’ve taken in this year that were great: Homecoming, a Flim by Beyonce, Stop Making Sense. (Those are both concerts, though, not theater.)
***My plan was to see Hamilton on it’s second run through Portland as it was impossible to get tickets in my price range during the inaugural run. It looks like theater is paused for the foreseeable future, so I’m glad this option was available.
****Musicals are already the nerdiest of performance mediums. (And I say this as a big fan of musicals) Layering on a studious biography about early American politics increased the nerd factor exponentially.
*****I had no idea about this character and enjoyed him so much. “Sweetheart, it’s a domestic violence song!” I exclaimed during his first number.
Filmed over the course of three days in June 2016. It started by filming a live Sunday matinee performance with cameras in the audience, after which the cast and crew spent the rest of the day and evening filming close-ups, dolly shots, and crane shots. Filming continued all day Monday (normally the cast’s day off) with more close-ups and Steadicam footage. More filming took place on Tuesday morning, before shooting another live performance on Tuesday evening, with cameras again in the audience but in different positions. Lin-Manuel Miranda said, “It was basically a three-day film shoot with the best-rehearsed cast in the history of the movies, ’cause we’d all been doing the show for a year at this point.”
Directed by Gina Prince-Bythewood
Written by Greg Rucka
I like an action film with some conundrums* and The Old Guard served up a good story along with its fight scenes. The camaraderie of the four main characters was great,** as was KiKi Layne as she worked through her complex feelings about joining the group.*** The action scenes are well done, and I think the depiction of the motivation of pharmaceutical companies was spot on.****
Cost: Netflix monthly fee ($8.99)
Where watched: at home
*That are something other than: How will this particular fight end? (I’m looking at you, Extraction.)
**Especially good were Marwan Kenzari and Luca Marinelli
***”She’s just a baby,” Theron says, when she first sees a glimpse of her, and there is a quiet innocence on her face. It was also on display in the very good in If Beale Street Could Talk. Though she got a BFA in 2014, so she’s probably in her late twenties.
****I published a Facebook rant about their price-gouging practices right before I turned on this movie. Also, I’m enjoying Henry Melling (the former Dudley Dursley) turning up now and then in things. He was great as the head of the pharmaceutical company and also quite excellent in the Coen Brother’s The Ballad of Buster Scruggs.
The airplane fighting scene between Andy (Charlize Theron) and Nile (KiKi Layne) was the first sequence shot. Theron was nervous because it was the first week of shooting, the character was new and things were still being adjusted, and Layne because she had never done anything like that. Theron explained to Variety that it was done on purpose because the whole scene would set the tone for the whole relationship between both characters.
Directed by Nora Ephron
Written by Jeff Arch, Nora Ephron, and David S. Ward
This remains a classic romantic comedy* and hits all its marks. It’s even stronger because the two characters play out their own stories, but we know by the end that they are meant to be together. It’s also a movie that inspired me to do my homework** and uses so many good actors in small roles.***
Cost: Netflix monthly fee ($8.99)
Where watched: at home
*I don’t think I watched this more than once or twice, yet so many of the scenes were as familiar as if I had seen it more recently than the 1990s. The soundtrack, however, I wore out during my early college years.
**I watched two movies because of this movie. (An Affair to Remember, The Dirty Dozen) I didn’t love either of them.
***Tiny Gaby Hoffman! Calvin Trillin! Rita Wilson! Rosie O’Donnell! Carey Lowell! David Hyde Pierce! Frances Conroy! (I had to look her up, but she was the mom in Six Feet Under.)
The scene between Tom Hanks and Victor Garber crying over the movie The Dirty Dozen (1967) was completely improvised during the take.
Note that the Metacritic list is made up of fifteen men and two women. Grrr.
Directed by Nora Ephron
Written by Nora & Delia Ephron adapted from Miklós László’s play
I didn’t like this in 1998 and the central problem remained in 2020.* Thus, I wasn’t much of a fan, except for Meg Ryan’s incredible wardrobe,** the amazing bookshop*** and being amused at the premise that the family that runs big bookstores would have that level of wealth.**** I will say that it’s an interesting study of someone breaking out into her own person during middle age,***** which is the hidden gem of a story in this watchable-but-unlikeable film.******
Cost: $3.99 via Google Play
Where watched: at home
*When a man knows a key piece of information and purposely withholds it from a woman he might be in love with, that makes him a secretive and manipulative jerk. It was that way when Jimmy Stewart played this role and it’s that way when Tom Hanks does.
**A few things haven’t aged well, but most of her outfits hit the spot.
***She even mentions the Betsy-Tacy books!
****This does poke fun at old men fathering children with much younger women, which is fun.
*****Though she loved books, she was carrying on her mother’s legacy. This didn’t give her a chance to find out who she wanted to be.
******I also enjoyed the quick and easy breakup scene. One could call it lazy writing, but it was carried off with such verve.
The children’s bookstore scenes in the film were filmed at Maya Shaper’s Cheese and Antique Shop on 106 West 69th Street. The filmmakers wanted to use the antique shop because it had the quaint, homey feel they were going for. They sent the owner of the antique shop on vacation for a few weeks, and while she was gone they turned the store into a children’s bookstore. After filming was finished, they put everything back the way they had left it, and it became an antique store once again.
Directed by Francis Ford Coppola
Written by William Kennedy and Francis Ford Coppola
I’ve not seen the original, but this encore version has a not-interesting gangster story interspersed with incredible vocal and dance performances by the entertainers performing at the Cotton Club.* Richard Gere wanders around in dark sun glasses playing his coronet** looking troubled, while meanwhile Gregory Hines has actual problems*** It’s fun to see actors looking young**** but this is a very long movie that has its focus on the wrong thing.
(or watch it and fast forward to the performance scenes)
Cost: $1.99 via Redbox OnDemand
Where watched: at home
*That’s right! You can fast forward through all of the gangster plot and just hang out at the Cotton Club.
**Much is made of the fact that Gere is really playing that coronet.
***Making the choice between being a solo act or sticking with his brother; being in love with a woman who makes choices that make it difficult to be in a relationship with her; the fact that he’s underpaid because his artistry can be exploited.
****1984 was kind of a long time ago, it turns out. Gere, Gregory Hines, Diane Lane (very young!) Nicolas Cage (also very young!) Bob Hoskins, and Laurence Fishburne.
Laurence Fishburne’s character, Bumpy Rhodes, was based on real-life Harlem gangster Ellsworth “Bumpy” Johnson. Fishburne would play Bumpy in Hoodlum (1997) 13 years later.
