Category: Three Sentence Movie Reviews

Marriage Story : a Tense Dissolution

The review:

Noah Baumbach gets at the nuance of divorce* with Marriage Story and his script leaves a lot of room for incredible performances by Adam Driver and Scarlett Johansson.** It’s a painful divorce, but not an overly angry one, which means the movie is tense throughout, but there isn’t much yelling.*** It’s also a movie that is a tiny bit too long**** and has humor sprinkled throughout; it comes with a very clear message about the strange nature of divorce proceedings.*****

The verdict: Recommended

Cost: Netflix monthly fee ($8.99)
Where watched: at home with S. North, who didn’t like it as much as I did.

Consider also watching:

Further sentences:

*There are a lot of examples of a couple in the midst of uncoupling acting very much like the couple they have always been, which is what I would guess makes divorce difficult.
**Azhy Robertson is also very good as Charlie and Nicole’s son Henry (he was also good as Ethan Hawke’s son in Juliet, Naked) and god bless Martha Kelly; her role as the social worker was the most painful and hilarious scene in the movie.
***I’m guessing a heart rate monitor would have had me at an elevated level for most of the movie.
****While one song from the Sondhiem musical Company was fine, the second wandered into indulgent territory
*****The lawyers’ interactions were fascinating, especially how they shifted from emphatically making a point to chitchat.

Questions:

  • Do you think the blame falls more on one person more than than the other in this film? If so, who?
  • What’s your favorite movie with a social worker in it?

Favorite IMDB trivia item:

The theme of theater is reflected in the film’s production design and the architecture. Charlie and Nicole have a proscenium arch in their apartment. In Nicole’s mother’s house, characters move in and out of rooms that interconnect to the kitchen like a backstage to the main stage. During Nicole’s monologue she walks in and out of rooms and similarly, Nicole and Charlie walk between rooms during the fight scene, these moments echo how actors move in plays.

Other reviews:

Top Movies Watched in November 2019

(12 movies watched)
(It was a GREAT movie-watching month)

The King

A bit long, but worth a viewing.

Jojo Rabbit

Just when you think you are done watching movies about WWII…

Let it Snow

“Teen” ensemble cast for the win.

Magnolia

Philip Seymour Hoffman for the win.

Hard Eight

Early Paul Thomas Anderson

Shane

Sometimes we can’t just all get along.

Frozen II

Sequels are always chancy.

Alice Doesn’t Live Here Anymore

Like mother like son.

The Art of Self-Defense

Amusing throughout.

Five Feet Apart

Upgraded upon re-watch

Zombieland

One way of surviving the zombie apocalypse.

Knives Out

An excellent way to spend two hours at the theater.

What did you watch in November that you loved?

Knives Out Left Me With That Good-Movie Boost

The review:

Rian Johnson shows he has skills with yet another genre* by directing Knives Out, which is 130 minutes of delight. This movie could have been weighted down by its stellar cast,** but everything clicks and jibes along as the pieces fall into place. The mystery is well-crafted,*** the movie is funny, and the mansion shows off some great set decoration, including an amazing chair.

The verdict: Recommended

Cost: $6.00
Where watched: St. Johns Twin Cinema with S. North

Consider also watching:

Further sentences:

*Noir (Brick), sci-fi time travel (Looper), franchise action/adventure/sci-fi (The Last Jedi), things for the band the Mountain Goats
**There’s something enjoyable about watching actors who seem to be enjoying the acting they are doing. Ana de Armas is the linchpin who makes the movie work, and I especially loved Noah Segan as the fawning Trooper Wagner. Also, hasn’t Christopher Plummer had a good run lately?
***Though what do I know? My brain isn’t good at solving mysteries. I’m always surprised when it comes time to figure out who done what.

Questions:

  • What was the most egregious action performed by any member of the Harlan Thrombey’s family?
  • If you had to live with one of Harlan Thrombey’s family members, which would you choose?

Favorite IMDB trivia item:

Despite playing his mother in the film, K Callan is actually six years younger than Christopher Plummer.

Other reviews:

The Art of Self-Defense is Dark, Amusing

The review:

Riley Sterns directs Jesse Eisenberg* in The Art of Self-Defense a dark comedy that feels more intellectually funny than viscerally funny. While that first sentences feels like damning the film with faint praise, it was an enjoyable film experience and I especially enjoyed Alessandro Nivola’s** straight-faced Sensei whom I couldn’t quite get a bead on. This was one of those films that felt removed enough from the world I couldn’t fully settle in, but its artificial environment and subtle commentary and humor were well done.

The verdict: Good

Cost: $1.25 via Redbox
Where watched: at home

Consider also watching:

Further sentences:

*Eisenberg was excellent as always; I don’t think I’ve ever not liked one of his performances.
**I also caught another excellent performance of his this year. He was Rabbi Dovid Kuperman in Sebastían Lelio’s Disobedience.

Questions:

  • What is your favorite dark comedy?
  • Has Jesse Eisenberg ever not been the tense and introverted character?

Favorite IMDB trivia item:

Writer and director Riley Stearns trains and teaches Brazilian Jiu-Jitsu.

Other reviews:

All movies watched on Netflix May 2019–Present

Recommended

Good

Skip

Zombieland: the Zombie Nerd Angle

The review:

Ruben Fleischer does us all a good service with Zombieland; he gives us the zombie invasion from the point of view of a nerd.* After adding in a tough guy and two grifters, we have an assembled cast of not-very-likable people, but together they make for an amusing and enjoyable film.** I didn’t love the amount of blood and guts due to the zombies, but other than that this was a fresh take on a well-trod*** subject.****

The verdict: Recommended

Cost: Netflix monthly fee $8.99
Where watched: at home

Consider also watching:

Further sentences:

*Complete with awkward encounters and a very savvy list of rules for survival.
**Post movie discussion: Con artists. Terrible to encounter in real life, yet often come off as charming in films.
***Even in 2009
****It also has an unforgettable sequence with a famous actor that is not to be missed.

Questions:

  • Of the four main characters, which would you prefer to spend the zombie apocolypse with?
  • Con artists. Why so good in movies?

Favorite IMDB trivia item:

Contrary to popular belief, the supermarket scene was not filmed at an actual supermarket. A movie set was built from scratch to look like a real supermarket, and some of the merchandise is fake. For example, the stuff behind the glass refrigerator doors is just printed on paper. According to the producers, it was cheaper than buying out a supermarket and paying them for broken merchandise.

Other reviews:

On Second Viewing, Five Feet Apart Upgrades to Recommended

The review:

Truth: a combo of slight obsession* and Redbox discount meant I watched this film a second time this year. But it got me mentally plotting out an essay about quality films that people discount because 1)they feature young female characters 2)they’re about love 3)they are made for teenage girls.** I’m here to say this is a quality flick and if you are looking for good acting, all the feelings, and an institutional setting transformed into something magical, do not miss Five Feet Apart.

The verdict: Recommended (upgraded from Good in March)

Cost: $1.25
Where watched: at home

Consider also watching:

Further sentences:

*Channing Tatum has disappeared. In his absence, there is a thing for skinny, not-age-appropriate, curly dark-haired actors. Namely Timothee Chalemet and Cole Sprouse. I’ve caught nearly all the Chalemet, which leaves me with Sprouse, and Riverdale. I first watched this film when I didn’t know Cole Sprouse was a thing, and I wanted to re-evaulate.
**I will never get around to writing this essay; this review is standing in for it.

Questions:

  • What’s your favorite movie that everyone says isn’t worth bothering with?
  • Is Haley Lu Richardson just getting started, or are we at peak Haley Lu?
  • Moises Arias. Tell me what you think is his best role?

Favorite IMDB trivia item:

Both Cole Sprouse and Moises Arias are former Disney Channel stars and have also worked together in Wizards on Deck with Hannah Montana (2009) and The Suite Life of Zack & Cody: Day Care (2006).

Other reviews:

Alice Doesn’t Live Here Anymore: Scorsese, Without the Wise Guys

The review:

Alice Doesn’t Live Here Anymore is Scorsese without the wise guys and the good fellas.* This movie is firmly set in the 1970s, and is a great hardscrabble mother-son film.** Packed with tons of period details*** and good performances by both Ellen Burstyn and Alfred Lutter (plus a very young Harvey Keitel**** ) this was a Scorsese treat.

The verdict: Good

Cost: Netflix monthly fee ($8.99)
Where watched: at home

Consider also watching:

Further sentences:

*Although Alice has the lip that we’re used to from the wise guys.
**I’ve just googled “mother-son film” and, based on those results, I can say that it might be one of the best.
***Including what was probably considered a happy ending when the film was released; in 2019, I gave it the side eye.
****It’s probably worth watching just to see him eventually suck all the air out of the room

Questions:

  • Alice’s parenting style is not currently in fashion. Is this a good or a bad thing?
  • What would have been an actual happy ending for this for this film?

Favorite IMDB trivia item:

Hot off her success with The Exorcist (1973), the studio granted Ellen Burstyn total creative control over this project. She had two goals: to make a movie about woman with real-life problems, and to secure an up-and-coming filmmaker as the director. Upon selecting the script, Brian De Palma brought Francis Ford Coppola to Burstyn’s attention, who suggested she consider Martin Scorsese. While impressed with Scorsese’s talent after viewing Mean Streets (1973), Burstyn still hesitated to hire the director, fearing he could only direct men. When she asked Scorsese what he knew about women, Scorsese replied, “Nothing, but I’d like to learn.” Satisfied with his enthusiasm, Burstyn immediately hired Scorsese.

Frozen II: A Worthy Successor

The review:

Jennifer Lee and Chris Buck’s Frozen II is a worthy successor to the the animation triumph that spawned a generation of children who know every vocal inflection of “Let It Go.”* This is an adventure story, a sister story, a story about coming to terms with things other people did in the past, and a story firmly focused on the female experience.** I don’t think there is a generation-defining song in this film, but there are plenty of good songs, both enjoyable and moving.***

The verdict: Recommended

Cost: free due to passes (Thanks, Danielle)
Where watched: Roseway Theater (Our first time. It was a nice neighborhood theater.)

Consider also watching:

Further sentences:

*2015: the year Bre’s 4/5 class sang that song often and at a volume that easily came through the walls to the school office.
**We’re not quite to the point where we can have a story focused on the female experience where the women wear flats instead of heels, but I have faith that time is coming.
***My favorite amusing song was Kristoff’s “Lost in the Woods” a homage to 80s music videos where the singer has many feelings.

Questions:

  • When do you think everyone will come to the sensible conclusion that high heeled shoes are dumb, and then stop wearing them?
  • I’ve just noticed that Martha Plimpton is in this movie. Have you seen her in anything else, of late?

Favorite IMDB trivia item:

During Kristoff’s “Lost in the Woods” number, there is a moment where Kristoff sings and three reindeer behind him in a triangular arrangement in front of a black background. This resembles the music video for Queen’s “Bohemian Rhapsody“.

Other reviews:

Shane: Manly but Not Toxic

The review:

George Stevens’ Shane is a manly Western, but not toxically so, and includes an interesting performance by Alan Ladd* and a terrible performance by Brandon De Wilde.** The farmer/cowman stakes are high in this film, and the movie is interesting, though not overly tense or gripping. There’s also a fight scene that had me marveling at how much fight scenes have changed in the last 60 years.***

The verdict: Good

Cost: free from the Multnomah County Library
Where watched: at home

Consider also watching:

Further sentences:

*Much like my view of Marlon Brando in On the Waterfront, Alan Ladd’s small frame (compared to today’s standards) and placid demeanor struck me as somewhat feminine in presentation. Somewhere in this phenomenon lies an interesting commentary about moving toward a society with gender equality and seeing men’s muscle mass increase, and women’s body size decrease.
**Good lord, if only they had cast a kid who could act! I spent the entire movie wondering where all the good child actors were hanging out in the 1950s, because I don’t see many quality performances from the under-10 set. Also, there seemed to be an industry-wide acceptance of terrible child acting because Brandon De Wilde was nominated for an Oscar for this performance.
***There was a lot of circling before the actual fighting got underway. It eventually got to some big fight action, but it took its time getting there. Also, the foley artists got completely carried away with the sounds of breaking glass, though they did a great job with the men grunting.

Questions:

Favorite IMDB trivia item:

Having witnessed, during his World War II service, the profound effects a bullet could have on a man, realism was important to George Stevens during the making of the film. This therefore is one of the first movies to use stunt wires to pull the actors or stuntmen backwards to simulate when they’ve been shot.