Three Songs I’ve Discovered Because of Movies

God bless movie soundtracks for introducing me to new songs and also making up an important chunk of my formative years. (Ahem Footloose, Pretty Woman.)

Here are three songs I’ve recently discovered thanks to movies watched. Let’s take them in reverse order.

One of the things I hated about what was called oldies radio in the 80s and early 90s, was that they played the same five (or three, or one) song by artists over and over again. So unless my parents had albums or 45s (they mostly didn’t), I didn’t hear anything else by those artists. Thus, there are large gaps with many artists, even with Elvis. I didn’t hear “A Little Less Conversation” until the Ocean’s 11 franchise, and I didn’t hear “In the Ghetto” until someone sang it at my 40th birthday karaoke party. “Suspicious Minds” may have been floating around, but didn’t really come to me until I watched Intolerable Cruelty.

Which means I didn’t hear “If I Can Dream” until just last night, when I watched the Elvis movie. It has lyrics that are so heartfelt they tip slightly over to cheesy (a plus) and a great big sound that builds and builds.


“Life’s Adventures,” by Tim Myers was from the Kissing Booth 3, which I finally got around to watching on Friday. The soundtrack also features Bright Eyes’s “First Day of My Life,” which is a favorite of mine and has appeared on this blog before.

This song is relaxingly sweet.


According to the comments on YouTube, I’m not the only person who found this song via Along for the Ride the Netflix movie based on a Sarah Dessin novel. It’s a good song for a transition point in the movie and a positive song overall.

Roe is No More

Protest art in St. Johns. It’s not hitting my feelings exactly (it doesn’t jibe with the UU first principle), but it does capture the zeitgeist.

The draft opinion of Dobbs v. Jackson Women’s Health Organization dropped right when I was smack in the middle of the longest period of my life. For 15 straight days I bled, a marker of my waning theoretical fertility.

I’d love to say that the decision took me by surprise, but it was more like my approaching menopause. I knew the end of Roe v. Wade was out there, but I didn’t know when it would happen. In my mind, the last wall fell when Ruth Bader Ginsberg died, but the chipping away has gone on for years. It was happening when I was in high school and Roe hadn’t yet turned 20.

I wept when Ginsberg died. When the official decision came down, I’d already done my mourning.

My fertility remains a theoretical thing because I’ve never been pregnant. I’ve never wanted to be, I’ve worked very hard not to be, and I’ve been lucky enough to have the means to suppress that egg from starting it’s monthly journey and lucky enough to live in a time when I was allowed to do that. I’ve also been lucky enough that my various forms of birth control (there have been many) have worked and I’ve never had to go through the steps to get an abortion. Steps that have been relatively easy in all the states I’ve lived in, at least at the time I lived in them.

Gen X follows the coming of legalized abortion. The youngest ones were prepubescent when Roe came down. We’ve hit menopause or are wrapping up our ability to conceive just as six people on the Supreme Court decided we aren’t the people who get to decide what to do with that fertility.

Because I’d never wanted children, the ability to have an abortion was paramount. I educated myself about birth control (Thanks, Our Bodies, Ourselves and Sassy Magazine!) got on regular birth control once I became sexually active, and was rigid about contraception. Still, I always made sure I had at least $600 in my checking account, and always knew where the nearest clinic was.

People have abortions for a variety of reasons. Some are selfish, some are logical, some are an act of mercy, some are well through through, some are not thought through at all. A lot of people have opinions about that particular medical procedure. But does that mean they get to say? It does not.

In high school, I wore a brass cuff engraved with Becky Bell’s name and her birth and death dates. When people would ask me what was the meaning of the bracelet, I would explain that Bell had died in 1988 from complications due to an illegal’s abortion she sought because of parental consent laws. I lived in the (very) slightly liberal city of Boise in a very conservative state, so a lot of time that information would be met with silence or a quick change of subject. But a lot of women, hearing about a young woman died from an illegal abortion, would tell me about how scary it was before abortion was legal and the friends they lost, or the stories of their friends who were grossly affected by illegal abortions. But I think I was the only one hearing those stories. To hear everyday women speak about abortion was never a thing. As with so many things, we don’t listen to women’s stories. We don’t even ask them what their stories are.

And that, for me, is what this comes down to. There are two pillars of my fundamental belief in a person’s right to choose abortion. The first: abortion is a medical procedure that should be decided on by the patient with input from the doctor treating the patient. The second: women and other pregnant people have always sought abortions, no matter what the law says. When they can’t access them legally, they find a way.

There shouldn’t have to be a way to be found. Just as every person in the United States should have access to healthcare, so should part of that healthcare include deciding for yourself, if a pregnancy should continue.

I’d like to think that this is the issue that causes an uproar across the nation and a blue tide in November. But I don’t think it will be. We will need to have another generation see what it’s like when a bunch of people get to make choices for other people and see the fallout before we can find a new path.

J.H. Clifton and Sons Since 1914

I took two days off of work, and on the first day I had a bunch of fun thing planned: a massage, exploring the shops on 42nd Street, a lunch out, and embroidery lesson. Plus biking to get to all those places. Alas, I did not take my real camera along, so I only have one picture from the day itself.

I admired this shop on 42nd, partially because the paint job looked so nice, and partially because it had been in business for more than 100 years.

It was only when walking back that I noticed the realtor’s sign. Apparently J.H. Clifton and Sons is no more.

SKS: Relax Already

Sara sent this postcard along with an Entertainment Weekly (R.I.P.) and a bunch of People Magazines. Very fun. She said that sending along the magazines was part of her trip prep.

She says that she’s not always sure where to send this card. Also that she has sent it, but hasn’t kept a list of who has already received it.

She sends me a fun challenge to find silly adventures near my home this summer. We shall see.

Prepping for #YearofStitch Sampler No. 5

I’m excited about this one. I’m looking forward to experimenting with two kinds of strands.

Shannon’s suggested text said “Bodily autonomy for all” and while that was a fine sentiment, I wanted to use the quote that was in the running for sampler No. 3 but didn’t make the cut.

And you can see that I learned from last time that I should first transfer the design then reposition the material and transfer the lettering.

Coming to Where I Used to Work: A Large Hotel

Walking by what used to be The Emerson School at the corner of SW Park and Couch, I saw that that building will soon be no more. It’s slated to be torn down.

Interestingly, this project doesn’t appear on the NextPortland Map. But I was able to find out about it on the city’s website.

Type III Design Review for a new, approximately 69-foot tall, six story hotel with 178 guest units. A large lobby/reception area and combined lounge/restaurant/bar area are found at the central portion of the ground floor facing NW Park Ave. A 1,700 square foot retail space at the ground floor anchors the corner of NW Park Ave and Couch St. A 1,400 square foot multi-purpose room will be located at the corner of NW Park Ave and Davis St. One Modification is requested to the Required Building Lines standard, and one Adjustment is requested to the number of loading spaces provided.

It looks from the plans like both the Emerson School building and the building on NW Park and Davis will be torn down. It’s not a surprise. When I worked for the school, we kept our fingers crossed that the very elderly owner wouldn’t die, because we figured his heirs would want to knock down both buildings to make way for something more lucrative. And both buildings are the types that won’t deal well with a massive earthquake. When I worked there, I had my earthquake plan all figured out. It involved hiding under my very sturdy 60s metal desk and hoping that the much taller building on the other side of the block collapsed away from my building.

There are huge old-growth timbers on supporting the ceiling of the second story of my old building. I hope they find a new home.

#YearofStitch Sampler No. 4: Do No Harm Take No Shit

We did sampler no. 4 on Aida fabric, a fabric I’d not stitched on since Regan was president. I don’t love it, because it reminds me of my cross stitching past, but it was very handy for gridding out all these filling stitches.

Unlike the last sampler, I’m quite pleased at the colors I chose.

Here we have Hungarian stitch and cushion stitch. Hungarian stitch, the first one, turned out to be my favorite. I used twelve strands, not liking how it looked with six strands, and it was a thumb killer, but look how great it looks! Unfortunately, cushion stitch came early on and I wasn’t sure what to do if the pattern didn’t perfectly repeat, so some letters are a little short.

Next are raised stem band stitch and fern stitch. Raised stem band stitch was quick, but I didn’t like how it was a bit wavy in places. Fern stitch was my second favorite, looks-wise.

The last two are tied gobelin stitch and French stitch. I liked the complexity of tied gobelin stitch and how firm it was, plus it had such good coverage. Shannon pointed out that French stitch should be called vulva stitch, and that made me laugh. With the number of strands I was using it wasn’t quite so obvious, but it for sure looked like it in her example stitches.

I outlined everything in backstitch and that took forever and used a lot of thread, but was worth it in the end, I think.

And here is the back, because it’s fun to look at the backs of things. Aside from raised stem band stitch (the red and pink one) being wavy, it also had those long runners on the back I didn’t like.

The next sampler will not be as intensive. This did take a bit of time. But was well worth it.