A Channing Tatum Interlude.

I have to say, the most surprising thing about watching Channing Tatum’s movies is that they have all been quite enjoyable.  At this point, I’ve seen 11 of them, and they have been fairly different including romantic comedies, dance movies, dramas, action flicks.  He hasn’t been pigeonholed into just one role.

The thing I find odd about Channing Tatum is that in still pictures he looks rather goofy. Here’s his current picture on IMDB. His ears stick out, his neck is too large, he’s sort of flat and dumb looking.  His two-dimensional static representation, along with his idiotic name, may be the reason I never saw him in a movie until this July.channing-tatum-1picture from: http://www.imdb.com/name/nm1475594/

It doesn’t help that movie posters tend to overemphasize his physique as in this poster.  With his ears and the focus on his abs, he just looks like a goon, and we all know goons can’t act.

 

eagleposter from: http://www.impawards.com/2011/eagle.html

But can he?  I’ve tried to look past my strange infatuation and I think I can say, yes, he can indeed act.  He does do a bit too much of acting with the jaw clench, but I don’t think I would have enjoyed as many movies as I have (even ones I thought I would hate likevowThe Vow andDJ_IT_1Sht_18Dear John) if he had the acting chops of say, Keanu Reeves.  (I love Keanu Reeves, but I heard him described once as attending the “Al Gore School of Acting” and I think that description pretty much hits the nail on the head.)

So yes, Channing Tatum is no Laurence Olivier, but he can certainly carry a movie.

And here’s why.  In motion, Channing Tatum is hard to look away from.  Something about the way he moves holds the eye.  He could be dancing, as in

Step Up.

Or fighting in Haywire.

Or wooing his wife in The Vow.

Whatever he is doing, when he is moving, he commands attention.  I think that what Channing Tatum might have is a healthy dose of charisma.  That charisma has made for a delightful personal film festival.

Three sentence movie reviews: Haywire

Okay, so this movie is incredibly awesome in a sort of throwback spy action flick where you don’t really get what’s going on at first, but if you pay attention the whole thing will be revealed.  It is gripping from the very first scene and has a lot of really amazing fight scenes that had me gasping and saying “Oh my!” to an empty house because I watched it by myself.  Also, the main character is a gorgeous woman who is very fun to watch.

Cost:  2.00 from Videorama.

Location:  at home.

ps. DVD extras are quite interesting.  Also, I like both of these posters.

poster from: 

http://www.impawards.com/2012/haywire.html

Three Sentence Movie Reviews: New Feature

Because how much money I spend on a movie has a direct bearing on how much I like it I will now be reporting on the amount of money it cost me to watch the movie and also the location.  I am very lucky to live in Portland and have a variety of options which fall in a financial range from free to $15.00.  Here they are:

First-run evenings.  These cost something like $12.00 or $15.00, an amount I almost never pay unless someone who is not as frugal as me wants to see the film or it is a movie I MUST see on opening night. Or perhaps the movie theater has tricked me and now charges full price for afternoon weekend shows that are not the first showing (bastard Regal Cinemas, this is one of the many reasons I do my best to see movies somewhere else.)

First-run matinees.  Something like $7.00.  Here I have the choice of the evil Regal empire, which sometimes I capitulate to because there are two theaters within walking distance of my work, one of which shows a lot of indie flicks. But also, even closer to my work, is the Living Room Theater, which I initially never went to because their ticket prices were even higher than Regal, but now they have lined up with them and I would rather support them than the evil empire that makes me watch “the 20” before the show.  I hate “the 20” which is now called “Regal First Look” but it was originally called “the 20.”  Before a movie I want to read or chat, not be assaulted by ads for products and ads for products that are movies and tv shoes.

First run movies at the St. John’s Cinema Matinees are $5.00 and evening rates are $7.00.  They tend to show a lot of action movies, so this is my go-to place for things like Spider Man and Batman, etc.

Tuesday nights at Regal.  Movies are $5.00.

Second run movies at the Laurelhurst.  $3.00 before 6:00pm, $4.00 after.  The Laurelhurst often shows  a lot of the indie movies that the Regal Cinema Indie cinema shows, I just have to wait for them.

Second run movies at McMenamins.  Still $3.00, the price they have been the entire ten years I’ve lived in Portland.  I’ve got two theaters available to me:  St. John’s Pub and the Kennedy School.

Rental at the video store.  $2.75 “older” movies for five days, $2.00 for new releases overnight.  I still have a video store!  It has reduced itself to 1/3 its former size, but it is still there.  The $2.00 new releases is particularly delightful as I can think, “I want to see [insert specific movie title here] and I can walk to the store and bring it home within 30 minutes.  So cool!  (As you can tell, we don’t have that on-demand cable thing or the Netflix that appears on your TV, we’re a bit behind.)

Rental at Redbox at the Fred Meyer near my house.  I’ve been charged $1.20?  I don’t really fully understand how the system works.  This is good for when I feel embarrassed about renting a movie, but must see it now.  Though I try to support the video store, with its nice living and breathing employees.

Library.  FREE!  And this is how I see a lot of my movies.  I almost said “the majority” but I think I might still see more movies in a theater than at my home.  With the library, new movies are a very long wait, but movies a year or two old are no wait at all and they have an amazing selection.  You can also keep them for three weeks, which means I bring home a lot more movies than I actually watch.

I love John Green and his love of learning.

For those of you who don’t want to spend the four minutes listening, I’ve transcribed some choice bon mots to convince you to invest those four minutes.

“..sony my first mustache..”

“Who wants to read the Taming of the Shrew? You basically have to translate it from Shakespeare into English, when there is already an excellent filmic translation avaliable in the form of  10 Things I Hate About You.

“But yes, your teachers may be stupid.  So are you, so am I, so is everyone (except Neil Degrasse Tyson).  The whole pleasure of being a human is in being stupid, but learning to be less stupid together.”

“I pay for your schools because I want you to grow up and make my life better.”

“Your education is not just about you. Your nation is making an investment in you because they believe you are worth it.”

Three sentence movie reviews: The Dilemma

So this movie shows the great disparity between men and women in Hollywood from the opening scene. On one hand we have two talented actresses,* who are beautiful, despite being underweight, and shunted, once again to the “girlfriend” role and they don’t do much but react to the males who are both overweight (which would be fine if women of a similar weight could star in or even take the boring girlfriend role, but they cannot so I must call them on this disparity) and making money doing the same shtick they have been doing for years (although I still find Vince Vaughn’s talky-talky arguments quite amusing.)  I’m not sure why Ron Howard directed this, but at any rate, Channing Tatum was quite amusing as a sleazy guy who isn’t quite in control of his emotions.**

*Also, Queen Latifah was completely wasted in this film.

**Channing Tatum appears for a total of maybe 10 minutes, so make your plans accordingly.

poster from: 

http://www.impawards.com/2011/dilemma.html

Three sentence movie reviews: Dear John.

I dreaded watching this adaptation of a schmaltzy Nicholas Sparks novel, but

Amanda Sayfried

and

Richard Jenkins

are pros and they can sell their characters like nobody’s business.  Thus, though it could have turned into treacle at any moment, it never did, and it even surprised me a few times.  Overall, much better than I thought and actually quite good.

ps. DVD extras includes a gag real which is unusual for a drama, and so quite fun.  The gag part from the scene on the movie poster cracked me up.

pps.  Stupid tag line for this movie as it doesn’t really relate in any way to the content of the movie.

poster from: 

http://www.impawards.com/2010/dear_john.html

Three sentence movie reviews: Battle in Seattle

Yet another very good film I wouldn’t have seen except for the Channing Tatum Film Festival.  I enjoyed the multiple perspectives and details about how the protests were planned and executed.  Actual footage from the “battle” made the movie that much more gripping.

poster from: 

http://www.impawards.com/2008/battle_in_seattle.html

Three sentence movie reviews: Moonrise Kingdom

This was one of those perfect films where everything is amazing:  acting, story, sets, cinematography all were incredible.  You could probably pause at any point in this film and have a perfectly composed picture, that’s how beautiful it was.  This is the kind of movie that makes going to the movies fabulous.

Essay: Tired.

My relationship with sleep is troubled.  I always want more, but there are periods in my life where the insomnia returns and even though I am very tired and would like nothing more than to be asleep, my body is awake in the middle of the
night for an hour or two.  Of late, there have been a string of these nights which is “fun” not just for me, but the people around me.

When I am tired, I feel it in my eyes the most.  There’s tension in them that expands across my nose.  It is a tight feeling—uncomfortable.  Also, my brain is
lethargic and my thoughts turn often to sleep.  My hunger signals are harder to interpret.  I feel hungry all the time, though experience tells me I am not really and eating constantly will not help the problem.
I mostly associate these physical sensations with the misery that is insomnia.  However, last night I was thinking about times I feel overtired, but with a sense of elation.  It happens. Here are some examples.
I am in college, and writing my first long paper for anything and I am a bit out of my element.  The paper is for Western Civ. and must be eight to ten pages.  I have researched my topic, found four sources—one more than required!—in the college’s tiny library.  I have made quote cards to avoid plagiarism and have a bibliography done already.  The problem is that the paper is due tomorrow and I have not yet written it.  I have made some attempts, but they have trailed off into a few tepid paragraphs.  It is nine pm, my other work is finished and the clock is ticking.
I write my first draft in longhand on paper I have grabbed from the recycling bin and I type it into my word processor as I edit.  As the hours pass, I revise and polish, catching mistakes here and there, adding details and clarifying points.  At two in the morning I set my word processor to print while I walk down to the basement of the dorm for a soda to keep me awake awhile longer.  I take the printed copies and begin the arduous task of reading each sentence individually from the last to the first, to catch my many spelling and grammar errors.*
At four o’clock I have finished, printed my final copy and stapled it with the stapler my mother sent me to college with.  I collapse into bed for three hours of sleep and arise with that exhausted feeling.  Still, I am pretty pumped. I wrote the paper, it exceeded the proscribed eight to ten page minimum by a few pages and I am pleased with my work.  Even as a college student, a good night’s sleep was important to me and I swore I would never do that again, a vow I mostly kept for my remaining years of college.  The paper got an A and went on to win a writing prize, forever associating that exhausted feeling with a worthy payoff.
/////
I like a boy. This situation could be any number of examples as I like boys a lot and the process of liking one was a familiar one from elementary school. However, beginning in high school, they started to like me back, which changed the game entirely and was much more rewarding.  So I like a boy.  We’ve been hanging out more and I am pretty sure he likes me, but I do not want jinx anything by admitting it aloud.  I can read the signs, which range from the
hand casually resting on my shoulder or arm to the out-of-nowhere, “what’s up
with you” phone call, to the group gatherings that are suddenly being organized
by mutual friends that always include the two of us.
It is late and I have to get home. I have a curfew, or work early in the morning or just need to end the evening.  The two of us have circled closer together: maybe the group gathering has dissipated leaving only us; maybe we have gone for a walk and our bodies bump into each other more regularly; maybe we are talking intently on a couch and in our excited conversation have inched closer together.  There is a tension in the air, and euphoria. Everything has grown brighter as the potential for something grows before us.
We part. Maybe with something to seal the deal like a kiss, maybe with firm plans for the next day, maybe with a hug that lasts longer than one between friends usually does.  But I come home, giddy that the signs that have been pointing in a direction have not been false.  Something is happening.
Home, I go through my nightly ritual, maybe running through the whole thing if it is not too late, maybe just crawling into my pajamas and flopping into bed if it is.  But I don’t fall asleep.  I am high on the possibilities, giddy with like and thrilled that my feelings are reciprocated.  Sleep comes eventually and I wake in the morning exhausted and amped and full of possibility.
/////
I am a junior in high school.  Junior year is the sweet spot when you have the
high school thing down and do not have the many pressures of senior year
hanging over you, or at least it was for me.  I have been hanging out with a girl who is not yet a friend.  Our boyfriends—who have broken up with both of
us over the summer—are friends and our social circles overlap a bit, but we
have not quite advanced to the “official friend” stage.  It is a Saturday night in early September, a few hours before my curfew and we are chatting.
I can’t remember why it was just the two of us, other people might have had earlier curfews or wandered off to their own potential romance or just gone
home to bed.
It is one of those conversations where you are meant to be going, but the conversation is so delightful that it kept going, despite the fact we were standing out on the sidewalk in the dark.  We talked into the warm September night, first standing, then leaning against the car, finally giving into the inevitable and sitting on the sidewalk, our feet in sandals resting in the gutter, our arms crossed against the promise of autumn chill.
Sitting there, I can remember thinking, “I really want us to be friends.”  New friendships have always been trickier for me than new romance.  In a romance, when push comes to shove, I can always just kiss the boy and find out if things are going to go in the direction I think signs are heading.  There is no similar marker for a friend.
Our conversation did have to end eventually, but I really did not want it to.  Curfew called, though, and we reluctantly parted.  At home, I was tired as only teenagers can be—that potent cocktail of hormones and growth and figuring out who I really am combined with an urge to stay up late and not the best eating habits with a bit of schoolwork and part-time jobs thrown in is incredibly exhausting.  But through my exhaustion, I felt the happy connection to a new friend that bolstered me the next day.
/////
So it is not always a bad feeling, this tired feeling.  Sometimes there is energy behind it, from accomplishment, new love or new friends.  Maybe when I am tired just because of boring old middle-of-the-night insomnia I can tap into some of that good energy and boost my day.
 *Something, it should be noted, I do not do for these essays.

Three sentence movie reviews: The Eagle

Yet another incredibly good movie I would have never heard of if not on a Channing Tatum quest.  This is a great action/adventure story set in a time period not currently in vogue (pre-Christian Roman times) with a lot of interesting period details and good acting.  Unlike most conquest movies, it also comes free of “white guilt” as the conquering and the conquered both fall into today’s “Caucasian” category.

poster from: 

http://www.impawards.com/2011/eagle_ver2.html